There’s a lot of music out there already, in fact, an abundance of it. Why do people still make new music, or the real question, how can anyone possibly make up something that hasn’t been thought of or written before? The answer returns to the very nature of God. We are His workmanship, created in His image.
Part of having eternity in our hearts (as Solomon notes in Ecclesiastes 3) relates to the limitless creativity of God that was instilled in man as part of the image of God. There are no new ideas inherent to man, but everything is a gift from God. Whether that gift is faithfully represented or perverted depends on the recipient. So new music, particularly Godly music, is sourced from the nature of God.
My new album “Abundance” is therefore not only a celebration of God’s greatness, but sourced from Him as well. As Christians, this is the joy of creating—mimicking our Father.
“Inspirational piano” was the next development of musical thrust in the PotterVilla Acoustics album series. My second CD, PotterVilla Reflections is a collection of pieces designed to heighten your consciousness and point it to God. In this album, you will find a mix of sacred, secular, and improvisation.
When I was a senior in high school, and getting ready for graduation in the spring, I decided that rather than holding a senior recital to showcase my music (as many friends were doing) I would like to release a second CD. About two months before my open house, I started recording what was to become PotterVilla Reflections. We actually had to have the CDs expedited from the duplicator so they would arrive in time!
At that time, I had a keyboard on loan with which to record. It didn’t have a digital output, but used the soundcard on my computer to deliver the audio into my recording program. Because the sound didn’t go through the air at all, the quality was much higher than I was able to get before with an acoustic piano and microphones.
Some of my favorite tracks on this album include Whispering Hope, Master the Tempest is Raging, and the Power Medley. I hope you enjoy it as much as I did!
Six years after the first release, I don’t remember who’s idea it was, what made it a priority, or many other details. However, I do remember that my first album, A PotterVilla Christmas, was received much better than I anticipated. The first batch were ordinary CDs burned in my computer, and covered in a hand-cut label from the local print shop.
A PotterVilla Christmas contains some of my earliest “real” arrangements (mostly medleys, as you can see). The B-I-B-L-E medley, with it’s simple motif and familiar hymnody was my first small scale ‘hit’–I still remember the first time I played that as an offertory, folks really enjoyed it. (as in, the chief end of man is to glorify God and enjoy Him forever.) Personally, I’ve felt for a year or two that this medley needs reworking to bring it up to my current standards. Maybe I’ll release it as a single someday.
Another popular number is Carol of the Bells and We Three Kings, arranged by Bruce Inman and published by Word Music. Intricately woven together, the two songs form a spectacular duet that I still play every year. This is routinely is folks favorite piece on the disk, and is well worth the copyright fees. (More on that in a second.)
After selling out of my first, homemade edition of A PotterVilla Christmas, a friend and mentor told me about a site called Kunaki (where I still have CDs produced today). They churn out beautiful, high quality disks that work in any player, with the label printed directly on the disk, and nestled in beautiful jewel cases. So, when I finished my second CD in 2009, PotterVilla Reflections, I re-issued the PotterVilla Christmas album through Kunaki, and have been thrilled with the results.
I did drop three songs which were on the original album, numbers which were copyrighted by Hal Leonard and Alfreds Publishing. For the few minutes of audio they provided, it was a substantial cost per disk (more than the cost of professional replication), and took 3-6 months to work out the copyright details. So the homemade disks became the special extended edition, and my higher quality regular edition became shorter. On later CDs, I’ve stayed away from copyrighted works entirely, favoring instead my own work and public domain material. However, Carol of the Bells still sticks around as the one piece by another publisher that you can find on my disks.
A word about “Variations on Pachelbel’s Cannon in D”: these were the best of several improv sessions I recorded, using the famous chord structure of Pachelbel. Improvisation is still at the core of my creative process, but in later years I’ve moved it further away from the final product. Some improv was included on my PotterVilla Reflections disk, but not as much. And you won’t find any on my forthcoming album (to be released Fall 2013). What you have here is pleasant background music, easy listening, and a window into my creative process.
The audio for this album was recorded at Ainger Bible Church (my church) on their Yamaha baby grand piano. The quality is admittedly lower than my newer work, but I think you’ll find it sufficient to be enjoyable. (Listen to the demo for a snapshot.) There’s quite a bit of “room” sound compared to a normal studio (the sanctuary has 30 foot ceilings), and there was a lot of foot work involved. I’m both the pianist and recording engineer, and the sound equipment is on the opposite side of the building from the piano!
The positive response to this album was really what started it all, and why I’m now working on my third album. God has blessed me through your support.